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Chase Rice Joins Forces With Florida Georiga Line for His New ‘Porch Song,’ ‘Drinkin’ Beer. Talkin’ God. Amen.’
It’s been a decade since Chase Rice last teamed up with his Florida Georgia Line buddies to create the duo’s…

Florida Georgia Line, Chase Rice; Photo by John Shearer & Jason Myers
It’s been a decade since Chase Rice last teamed up with his Florida Georgia Line buddies to create the duo’s monster hit, “Cruise,” but that all changes with the release of a brand-new “porch song” called “Drinkin’ Beer. Talkin’ God. Amen.”
His new single, Rice explains, was one that they started out thinking might simply be co-produced by FGL’s Tyler Hubbard and Brian Kelley. But the more they thought about it, the more they realized that the song had serious feature potential.
“It was Brian’s idea to possibly produce the song together…just get in there and have fun like we used to,” Rice recounts to Country Now. “And Brian texted me — literally, what he said was, ‘How we make this thing even bigger…How about a CR x FGL collab?’ With a weird emoji, or whatever.
The singer didn’t have to think twice. “I said, ‘Hell yeah.’ It’s been too long. It’s been 10 years since we made music together,” he remembers.
It’s especially fitting that this was the song that led Rice back to a creative partnership that had always been fruitful, and always felt like home. When he wrote it, the singer says, he was in a mindset of digging deeper and coming up with subject matter that felt true to him. He co-wrote the song with Corey Crowder, Hunter Phelps and Cale Dodds during the tail end of his 2019 fall tour, and it was the product of a writing session that didn’t start out easy.
“We were in the back of the bus, and we’d had about 45 minutes of that track playing, that you hear in the song. And we could not figure out to save our lives what to write that day,” Rice explains. “Corey just kept saying, ‘We need a porch song.’”
And they tested out some ideas, but nothing quite felt right. Rice was dead set against phoning in the writing process: If they were going to write a song, he thought, he wanted to really connect with the subject matter, and the four men just weren’t getting there.
“So we’re scrolling through, we chase a couple of ideas that were about a girl, and it’s just like, ‘Man, I’m tired of writing anything that I don’t give a s*** about,” he continues. “This is just gonna be the same old bulls***, guys.”
But then, he saw a title in his phone that made his eyes light up. “‘Drinkin’ Beer. Talkin’ God. Amen.’ As soon as I saw it, I was like, ‘Alright, I’m saying this, and if Corey doesn’t like it, I’m leaving the bus and we don’t need to write today,” he recounts.
Not only did Crowder like the song — “he flipped,” Rice remembers. It gelled perfectly with the “porch song” idea he’d been fixated on during the writing session that day. In December of 2019, the songwriters didn’t know it yet, but the idea of a “porch song” would take on entirely new meaning within a few months, once the COVID-19 pandemic hit the U.S. and the country started closing down. All of the sudden, Rice wasn’t able to tour, his fans weren’t able to come out to see shows, and everyone, it seemed, was spending a whole lot more time on their porches — the singer included.
“[The song] couldn’t have been more perfect for what this year has been, which has been a lot of people sitting around fires. For myself, anyway, it’s been a lot of sitting around the dinner table,” he goes on to say. “Having new friends that I’ve never had before, having friends that I have had, but we’ve gone deeper. That’s what I love so much about this song, is that it’s celebrating 2020 for what it is, as opposed to what it wasn’t.”
In order to truly create a porch song, you need to have a relationship with a good porch. As it happens, Rice had just finished building a new porch at his house when the pandemic hit. In the months since, he’s got more of a chance to break it in than he bargained for. But he’s also had a lifelong relationship with porches, and the singer has very specific ideas about what the perfect porch should be.
“Well, it depends on whether it’s a front porch or a back porch. For me, those are very different things,” Rice laughs, explaining that he associates front porches with a very specific childhood memory with his grandfather. “I don’t remember what I was upset about, but I was upset about something. In, like, 8th grade. I ran off into the woods all upset, and I hear my grandpa come out and he starts yelling my name.”
Finally, Rice returned from out of the woods, and he and his grandpa sat down on their front porch to talk things out. “It was just me and him sitting on the front porch in those rocking chairs, so I think front porches should always have rocking chairs,” he explains. “I honestly couldn’t tell you what we talked about, but I knew that my grandpa was there, and that was special, and we were in rocking chairs.
Much like a classically-groomed mullet, front porches are for business — but back porches, Rice relates, are for partying. “I just think it should have a fireplace,” the singer says, stressing that you don’t always have to have deep and meaningful conversations to enjoy a night on your porch.
“Some of those nights have been absolute mayhem. But then you wake up the next day and you’re laughing at your buddy that’s passed out on the kitchen floor because he was too drunk to make it to a bed,” he points out. “It’s just memories that we’ve made, and some of them are absurd, but it’s all memories I never would have had if this year hadn’t happened the way it happened.”
All of Rice’s porch memories, directly or indirectly, have to do with the making of his new song. But one of them, he adds, is tied specifically to the songwriting process.
“I was sitting on my porch one morning, reading my message, my Bible…I had to send it in that day, what the song was gonna be titled,” he remembers. The original name had been “Drinkin’ Beer. Talkin’ God. Amen,” but during the collaboration process, they’d scrapped the “Amen” — something Rice was a little disappointed about.
“And the whole [Bible] message [that day] was on the word ‘Amen.’ Whether you believe in God or not, and I personally do, that was enough for me to be like, ‘Wow, okay. God showed up here today,’” he explains. “He not only showed up when we wrote the song, he not only showed up when [FGL and I] had the conversation of doing it together, but he also showed up on what the title needs to be.
“And I don’t fully know what that means yet. But God’s in this song,” Rice adds. “So I believe it’s gonna be very special.”

Lauren Jo Black is a longtime country music journalist, editor, host, and media personality whose work has helped shape the conversation around country music for nearly two decades. As the current Editor-in-Chief of Country Now, she has become one of the genre’s most respected voices, interviewing hundreds of country music’s biggest stars, including Dolly Parton, Garth Brooks, Reba McEntire, Shania Twain, Randy Travis, Luke Bryan, Carrie Underwood, Blake Shelton, Luke Combs, and countless others. Over the course of her career, Black’s written work and interviews have reached billions of country music fans worldwide. A 2009 graduate of the University of Central Florida, Black began her career by founding Country Music Is Love, one of country music’s earliest independent digital publications, which she later sold to a major record label in 2015 before it was rebranded as Sounds Like Nashville. She then served as the publication’s Editor-in-Chief for more than two years. Her work has also appeared in Forbes, and she previously served as the Country Music Expert for Answers.com. Widely recognized for her expertise, Black has appeared as a featured guest on The Bobby Bones Show, BobbyCast, and Scripps News Morning Rush, providing insight on country music’s biggest moments. She has also hosted Country Now Live, a concert series featuring performances from artists including Lady A, Dierks Bentley, Riley Green, Jordan Davis, Dustin Lynch, Gabby Barrett, Brett Young, Jon Pardi, Kip Moore, Chris Young, and more. The series has welcomed thousands of fans in person while reaching millions more online. In addition, she hosted Connect With Country Now, a weekly interview series featuring conversations with rising country stars. Throughout her career, Black has earned a reputation for discovering and championing artists long before they become household names. She has covered Luke Bryan since the early days of his career, beginning when he was writing songs for other artists, including Billy Currington’s No. 1 hit “Good Directions,” before stepping into the spotlight with his debut single, “All My Friends Say” and eventually becoming one of biggest names in music. She also gave Megan Moroney her first opportunity to walk a major red carpet as Country Now’s official guest correspondent at the 2022 CMA Awards. An interview she conducted in 2018 for Forbes.com with Luke Combs that inspired his multi-week No. 1 hit, “Doin’ This.” She has also hosted stages at CMA Fest, moderated an industry panel at Country Radio Seminar, and helped lead important conversations about the evolving landscape of country music media. Beyond journalism, Black has also used her platform to support charitable causes and highlight organizations making an impact. Through Country Now Live, she has helped raise awareness and support for St. Jude Children’s Research Hospital, while also advocating for animal rescue through Country Now’s Pupdate series, spotlighting organizations including MuttNation Foundation, Wags & Walks, and Proverbs 12:10 Animal Rescue. Black has been recognized as one of Country Aircheck’s Women of Influence and received the 2012 Rising Star Award from the University of Central Florida. She is a longtime member of both the Country Music Association (CMA) and the Academy of Country Music (ACM). After nearly 20 years covering country music, Lauren Jo Black has spent her career telling the stories behind the artists, songs, and moments that have shaped the genre. Her first-ever book, Country Music Forever: An A-to-Z Celebration of Icons, Songs and Stories, brings that same passion and firsthand knowledge to the page, celebrating not only the legendary artists and timeless songs that have become the soundtrack to generations of fans, but also the places, traditions, and cultural moments that have made country music one of the most beloved genres around the world.







