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Josh Phillips Reflects On His Path To Nashville: ‘The Good Lord Has A Plan’
Growing up in rural North Carolina, Josh Phillips was constantly surrounded by music. “Daddy just always had a radio playing…

Josh Phillips; Photo by Jason Myers
Growing up in rural North Carolina, Josh Phillips was constantly surrounded by music.
“Daddy just always had a radio playing country or classic rock,” Phillips recalls during a phone conversation with Country Now. “I was also put in the church choir, reluctantly, so there was a mixture of gospel, country, and classic rock.”
His mother, a receptionist, had dreams to have children who were musical, so she also enrolled them in lessons. Phillips’ sister learned to play the piano, while he took lessons for guitar and piano.
“I played for probably 5 or 6 years and then quit,” he admits.
As he got older, his priorities shifted and his main focus throughout high school and college was baseball. Sidelined by a major injury in college, Phillips returned to his musical roots and hasn’t looked back since.
“I just picked up the guitar again and started writing songs,” he shares. “I definitely think the good Lord has a plan.”
No longer receiving his baseball scholarship money, Phillips turned to music to help fund his degree and a few of his extracurricular activities.
“I needed a way to make money. I had to pay my bills and everything, and get a little beer money every now and then, so I would go to these little old honky-tonks that would let me play acoustic for $150 bucks.”
He adds, “It was four hours of 40-50 cover songs with four or five original songs thrown in there. It was old biker bars with five or six people in there and maybe it was just me and a couple of bartenders. Those were the days… It was fun but it was definitely difficult.”
Building up quite the following in his home state, Phillips soon toyed around with the idea to make the move to Nashville. It was his friend and now-Grand Ole Opry member Luke Combs who helped inspire his decision.
“I think when I wanted to start doing it full time was probably five years ago,” Phillips recalls. “I wrote a song called “Can I Get An Outlaw” that Luke Combs cut and then I said, ‘Man I need to move to Nashville and give it a go.’”
“Going to Nashville was actually Luke’s idea,” he continues. “He was playing acoustic shows and he called me one day and said, ‘hey man, I’m going to Nashville to stay with a buddy…We’re just going to network, go out to bars and meet people and try to make some connections.’ So we did that and we met a couple of guys named Rob Snyder and Channing Wilson and they were really great to us. We would then come up to Nashville about a week out of every month, or at least try to, and just write songs and make connections and then eventually moved.”

Phillips continued to cut his teeth around Nashville and eventually signed with Big Machine Records. His debut single, “In A Bar Somewhere,” is out now.
“It was one of those songs that when we left the writers room, we were really excited about it. We felt like it was really special,” he explains of the song, which he co-wrote with Erik Dylan and Randy Montana. “I remember calling Randy and Eric that night and I was like, ‘man I think this song is going to be really big.’ Ironically, when I signed my deal, that was the one that everybody fell in love with.”
Earlier this month, Phillips dropped a surprise four-song EP. Co-writing each track, the singer/songwriter feels like these songs were a great representation of who he is.
While he loves each song for different reasons, “You’re Gonna Love Me” is a standout to him.
“It’s just so me,” he assures. “It’s really autobiographical.”
With little to no promotion to fuel the fire, Phillips’ eponymous EP shot up the charts upon its release, leaving Phillips speechless.
“It went to number seven or six on iTunes, so the fact that it had no promo and nobody even knew it was coming out, for it to do that, it was just mind-blowing to me,” he confesses.
As his career continues to gain momentum, Phillips remains focused on two things: touring and making great music.
“We’re just steady writing and hopefully going to get back into the studio here soon and record a full-length album. That’s the most important part… just staying on the road and writing songs.”
Lauren Jo Black is a longtime country music journalist, editor, host, and media personality whose work has helped shape the conversation around country music for nearly two decades. As the current Editor-in-Chief of Country Now, she has become one of the genre’s most respected voices, interviewing hundreds of country music’s biggest stars, including Dolly Parton, Garth Brooks, Reba McEntire, Shania Twain, Randy Travis, Luke Bryan, Carrie Underwood, Blake Shelton, Luke Combs, and countless others. Over the course of her career, Black’s written work and interviews have reached billions of country music fans worldwide. A 2009 graduate of the University of Central Florida, Black began her career by founding Country Music Is Love, one of country music’s earliest independent digital publications, which she later sold to a major record label in 2015 before it was rebranded as Sounds Like Nashville. She then served as the publication’s Editor-in-Chief for more than two years. Her work has also appeared in Forbes, and she previously served as the Country Music Expert for Answers.com. Widely recognized for her expertise, Black has appeared as a featured guest on The Bobby Bones Show, BobbyCast, and Scripps News Morning Rush, providing insight on country music’s biggest moments. She has also hosted Country Now Live, a concert series featuring performances from artists including Lady A, Dierks Bentley, Riley Green, Jordan Davis, Dustin Lynch, Gabby Barrett, Brett Young, Jon Pardi, Kip Moore, Chris Young, and more. The series has welcomed thousands of fans in person while reaching millions more online. In addition, she hosted Connect With Country Now, a weekly interview series featuring conversations with rising country stars. Throughout her career, Black has earned a reputation for discovering and championing artists long before they become household names. She has covered Luke Bryan since the early days of his career, beginning when he was writing songs for other artists, including Billy Currington’s No. 1 hit “Good Directions,” before stepping into the spotlight with his debut single, “All My Friends Say” and eventually becoming one of biggest names in music. She also gave Megan Moroney her first opportunity to walk a major red carpet as Country Now’s official guest correspondent at the 2022 CMA Awards. An interview she conducted in 2018 for Forbes.com with Luke Combs that inspired his multi-week No. 1 hit, “Doin’ This.” She has also hosted stages at CMA Fest, moderated an industry panel at Country Radio Seminar, and helped lead important conversations about the evolving landscape of country music media. Beyond journalism, Black has also used her platform to support charitable causes and highlight organizations making an impact. Through Country Now Live, she has helped raise awareness and support for St. Jude Children’s Research Hospital, while also advocating for animal rescue through Country Now’s Pupdate series, spotlighting organizations including MuttNation Foundation, Wags & Walks, and Proverbs 12:10 Animal Rescue. Black has been recognized as one of Country Aircheck’s Women of Influence and received the 2012 Rising Star Award from the University of Central Florida. She is a longtime member of both the Country Music Association (CMA) and the Academy of Country Music (ACM). After nearly 20 years covering country music, Lauren Jo Black has spent her career telling the stories behind the artists, songs, and moments that have shaped the genre. Her first-ever book, Country Music Forever: An A-to-Z Celebration of Icons, Songs and Stories, brings that same passion and firsthand knowledge to the page, celebrating not only the legendary artists and timeless songs that have become the soundtrack to generations of fans, but also the places, traditions, and cultural moments that have made country music one of the most beloved genres around the world.







